Showing posts with label lies. Show all posts
Showing posts with label lies. Show all posts

Monday, 25 March 2013

Rapid Review.. Chvrches - Recover EP



Glaswegian band, CHVRCHES (that's a more Google friendly "Churches" for the uninitiated) are gearing up to release their debut EP, Recover on 25th March (UK) and have let the lovely folk over at Pitchfork stream it for free - there's no harm in trying before you buy after all, check it out here!

The formerly mysterious trio, who emerged out of the blue in May of last year with the moody electro single that was 'Lies' - read and listen here - were made a part of the BBC's Sound of 2013 Poll at the end of last year, and have since released second single, 'The Mother We Share' and now, the Recover EP. The title track, 'Recover' is a much lighter affair than the aforementioned 'Lies', in fact, it positively sparkles, and I can only describe it as warm electro akin to that of Swedish duo The Knife. The voice of singer Lauren Mayberry is rather inviting, resonating in a childishly innocent manner through the 3 tracks (the additional remix is a treat too), and juxtaposing nicely with messrs Iain Cook and Martin Doherty on the darkly throbbing 'ZVVL', before coming back to the forefront of the poppier 'Now Is The Time'.

Though short, Recover really is a treat of an EP, the high quality electro smothering your brain in a manner akin to dripping treacle, and whetting your appetite for an album release (hopefully) later in the year. If not, more EP's will surely have to tide us over. Get on it now; it's worth all of your attention!

Recover EP is available via iTunes.

The band are touring the US in May/June before hitting the festival circuit later in the summer.


North American Tour - May/June 2013
5/27 — George, WA — Sasquatch Music Festival
5/28 — Portland, OR — Wonder Ballroom
5/29 — San Francisco, CA — Rickshaw Stop
6/1 — Los Angeles, CA — Troubadour
6/2 — Solana Beach, CA — Belly Up Tavern
6/5 — Austin, TX — The Mohawk
6/6 — Dallas, TX — Granada Theater
6/7 — Lawrence, KS — The Granada Theatre
6/8 — Minneapolis, MN — Fine Line Music Cafe
6/10 — Chicago, IL — Lincoln Hall
6/12 — Toronto, ON — The Hoxton
6/15 — Montreal, QC — Le National
6/16 — Boston, MA — Paradise
6/17 — New York, NY — Webster Hall
6/21 — Washington, DC — Black Cat
6/22 — Dover, DE — Firefly Music Festival
6/23 — Philadelphia, PA — Union Transfer


http://www.facebook.com/CHVRCHES
https://soundcloud.com/chvrches
http://chvrches.tumblr.com/




Sunday, 18 November 2012

New Waves.. Churches - 'Lies'


Only just ran across this band whilst looking for some new music to listen to (if you have any suggestions -comment below!). 

Glaswegian band, Churches, only have two songs to their name - that I can find anyway - but the whole affair is a moody electro powerhouse reminiscent of The Knife. The song in question, 'Lies', so far appears to have garnered them more than 100,000 hits on their YouTube channel since May, and it deserves it, the song is edgy and doesn't just wash over in a non-descript or sterile manner that a lot of electronic music can do. 'Lies' definitely shocks you out of your reverie!


Tuesday, 7 August 2012

Rapid Review.. Marina and the Diamonds - 'Electra Heart'



OK, OK, definitely a not so 'rapid' review on this one!

When the catchy pop of radio friendly 'Radioactive' appeared last year, I got rather excited for the second album from Marina Diamandis' outfit, Marina and the Diamonds. However, after 'Primadonna' was debuted, I became far less enthusiastic; what had happend to the quirky Marina of yesteryear?


'Primadonna'

Recently however, after skimming through some of the songs on Electra Heart on Spotify, I decided to give the album a proper go, and in doing this I realised that Marina was just as smart, opinionated and self critical as she ever was, if not more so, but her wit and intelligence was far more slickly hidden.


Take the dance pop of the album's first single, 'Primadonna' for example; many a fleeting ear would dismiss it as a teenager's 'Barbie Girl', and it was largely received so, giving Diamandis her highest charting single to date (Top 10 in UK chart), however lines such as 'living life like I'm in a play', 'I wanna be adored' and 'All I ever wanted was the world/ I can't help that I need it all/ The  primadonna life, the rise and fall' hint at darker themes that are displayed more explicitly in other songs, such as 'Lies' and 'Fear and Loathing', with Diamandis bluntly stating in that latter the lyrics of 'I've lived a lot of different lives/ Been different people many times/ I live my life in bitterness/ And fill my heart with emptiness'.


'Fear and Loathing'

Whilst the actual music of the album is dark, sometimes sterile, sometimes emotive pop, it surprisingly works better than you'd think, given the contrast to her previous, more theatrical/ musical direction of her debut album, The Family Jewels. 



I'll be honest, Electra Heart surprised me as being a better album than I'd thought it would. But to me, Marina's best quality in her song writing will always be her ability to take somewhat controversial and polarising themes for her songs and mask them within catchy pop songs, and Electra Heart is a far more expansive project than The Family Jewels, spanning media forms (songs, photos, music videos, trailers - it's an entire body of work), as well as Diamandis herself committing herself to the character of Electra Heart within her daily life (the retro outfits, the blonde(?) hair) for the duration of the project and tour. You can't accuse Marina of being anything but thorough!

'Radioactive'


Electra Heart is out now, as is 'Power and Control'.
'How To Be A Heartbreaker' the next single is released in US and UK on 15th October 2012.