Showing posts with label london. Show all posts
Showing posts with label london. Show all posts

Monday, 20 August 2012

New Waves.. Muse - 'Madness'


This is the third track debuted from Muse's,sixth album, The 2nd Law, following the official soundtrack to the London 2012 Olympic Games, 'Survival', and the dubstep influenced track, 'Unsustainable'.

The track above, 'Madness', is to be released as the first single from the album, and is of similar nature to 'Unsustainable' although, as a track it seems more promising; as odd as this may sound; to me at least, it feels like Muse, whereas the tracks that preceded it didn't. 'Unsustainable' was too 'dubstep' and 'Survival' was too 'Queen'. This somehow still manages to merge both, with Muse's recent penchant for taking Queen influence too literally as of late for my tastes, still being apparent here in the echoing of Matt Bellamy's backing vocal and a Brain May-esque guitar solo. The dubstep is far more subtle than the brashness of 'Unsustainable', and this works in the track's favour. The latter half of the track, following the solo reminds me of their Absolution track, 'Stockholm Syndrome', in the manner the lyrics are sung and the tempo changes of music.

There is no doubt in my mind that I will buy The 2nd Law when it is released. Muse are one of my favourite bands, and although I feel that their 'golden era' - for lack of a better term - may have passed (to me, Muse personified themselves most completely in their second and third albums, Origin of Species and Absolution - which is my favourite), I appreciate their openness to the influence of different musical genres and genuinely look forward to whatever they put out there! I have a feeling that I'll like this album more than I did The Resistance, as I am a big fan of dark electronic music, and the latter was more orchestral I feel.


'Madness' is out now via iTunes and the Muse webstore.
The 2nd Law is to be released in various mediums (and worldwide?) on 1st October!


http://muse.mu/
https://twitter.com/muse
http://www.facebook.com/muse



Friday, 17 August 2012

Flashback Friday's.. Alexisonfire - 'Hey, It's Your Funeral Mama!'



Slightly late today ladies and gents, but I have FANTASTIC news (for me at least anyway!) because, after approximately 8 or 9 years of loving and wishing, my wish has come true! I.. am going to see.........

ALEXISONFIRE!!!!!!!!!!!!!!!!!!!!!!! :'D :'D :'D :'D ajfkepgkfnpesnbgv-gewanaffangoebgikuaesgve a!!!!

I can't express how happy I am at all! This bands means so much to me and they've been my favourite band for so long! This was really perhaps the first band that made me make the transition into more mature 'rock' music, moving away from bands such as Lostprophets etc and into post-hardcore.

Alexisonfire are a very diverse band, easily shifting between being melodic yet edgy and downright aggressive punk. What also makes them unique is their effective use of not 1, not 2, but 3 (!?) vocalists! In theory, it should be a mess, but it works so well because each of the vocalists specialise in a certain vocal range; George Pettit shrieks and screeches his tirade, Dallas Green smooth, pitch perfect voice, with Wade MacNeil straddling the fence in between with his rumbling punky undertones!

The band announced that they were to split last year, after Green decided to devote himself full time to his folk side project, City and Colour, whilst MacNeil was named the new Gallows frontman following the departure of Frank Carter, but that's another story! At the time, I was so distraught that I'd missed the opportunity to see them play during their previous run of the UK (their visiting Nottingham seemed too far away at the time, despite the fact that I'm now willing to travel to London!), so I'm ecstatic that my friend managed to get us tickets this time :D

Back to the song - this is 'Hey, It's Your Funeral Mama!', taken from their second album, Watch Out!, perhaps their most experimental release, and my personal favourite! It was the first song that I heard by them and will always be amongst my favourites, perhaps just being on the subject matter of Go-Karting! If you like this, go check all their albums; if you're not so keen on one, you may be on another, as the sounds shifts a little through the time periods. Their last release, Dog's Blood EP, was easily their heaviest stuff to date and they went out with a bang!

Alexisonfire are playing London's Brixton Academy on Mon 3rd December (sold out) and added Sun 2nd December due to demand !

Grab 'em whilst you can!

http://theonlybandever.com/presale/
http://www.facebook.com/AOFofficial

Sunday, 27 May 2012

London Calling

About a month ago now, myself and some uni friends embarked upon a trip to London as part of our English Contexts group assignment for this semester. Our assignment was on the 'Monstrous and Grotesque' which was the focus for us to garner info in order to create a website on the theme, a compulsory part of which was to participate in a relevant field trip. After initially wanting to visit the Bodyworld's exhibition (if you've never heard of it, I suggest you click the link to see what I'm on about! It's equally shocking and amazing and allows you to view the human anatomy in a way that you never thought you would!), only to find that it was currently at residence in Germany, we decided to visit the Damien Hirst exhibition currently housed at the TATE Modern in London.

The day got off to a pretty bad start when I missed by first bus, making myself late and then had to get on another train in order to get to Birmingham where I met my classmate. Upon getting to Moor St. Station and enquiring about tickets, we discovered that the train we planned to get would, in fact, cost £50 (!) instead of the £15 that we'd anticipated! I guess that teaches us for not pre-buying train tickets! Luckily, there was a cheaper train about an hour later which cost £25 which we decided to get instead.


This was my first time travelling to London, and I was pretty excited! Anticipating a long train journey (and thinking that I'd make pretty boring company), i stocked up on sweets and magazines and even brought my sketchbook along for the ride, although I needn't have worried, as even though practically everyone who had said that they would come had pulled out at the last minute, myself and my lone classmate managed to yabber on about next to nothing! It was a pretty hot (albeit wet) day, and once meeting up with our native Londoner who was back home for the uni Easter holidays, we set off to find the TATE.



For those who are unfamiliar with Hirst's work, he became infamous in the 1990's for creating pieces to do with recurring themes of life and death, however, controversially, these pieces often incorporated either live creatures or their carcasses. Perhaps his most famous piece, entitled 'The Impossibility of Death in the Mind of Someone Living' incorporates a dead tiger shark preserved in formaldehyde.



It was both disturbing an fascinating in pretty equal measures. Being so close to such a formidable creature was still somewhat daunting even though it was obviously dead and had been for a long time. The sheer size of it was unprecedented by me; I could have easily fitted inside it if I had lay horizontally, and although it was decaying with age, it was still a sight to behold.

Not so welcome was the piece entitled '1000 Years', which was preceded by an awful rancid smell which was later revealed to be a severed cows head encased in a 7ft glass box that also contained masses of flies. It was not pleasant to behold, but then again, Hirst's work always appears to have set out to shock its audience.

For me, perhaps the best part of the exhibition which contained pieces from Hirst's entire career was the recreation of 'In and Out of Love', where canvases decorated with neatly arranged pressed butterflies was followed by a 'live' room where, upon entering, one was greeting with humidity and the sound of fluttering wings, yes, the room was filled with butterflies! The premise for this interactive instillation was for pupae to be attached to blank canvases, allowing the butterflies to fly into the room as they hatch. Even the canvases themselves appeared as works of art, as the fluids from the newly hatched cocoons dripped down the white background. It is in this instance that Hirst's recurring theme of life and death is shown in its entirety, with dead butterflies situated on tables beside rotting fruit creating a somewhat bleaker spectacle when placed in the same arena as the majestic fluttering butterflies.



After leaving the exhibition, our native Londoner acted as tour guide and gave us 'Brummie' folk a bit of a pitstop tour of the captial, talking us past landmark sites such as the Houses of Parliament and Big Ben, the MI6 buildings, St. Paul's Catherdral, Covent Gardens and the London Eye. And of course, M&M World, which was secretly our main purpose for the whole trip ;)